Joseph Naytowhow, Cree knowledge keeper, storyteller, musician, and artist will be doing a residency at the University of Regina with the Elementary Program as part of PLACE. He will be at the U of R from January 26 to February 6 and will be located in ED 221.5. Joseph is knowledgeable with treaty, oral history, storytelling, protocol and much more. He is at the U of R to work with faculty, sessionals and students in the third year of the elementary program.
Presenter: Dr. Cindy Blackstock, Associate Professor, University of Alberta and Executive Director of First Nations Child and Family Caring Society of Canada
Wednesday, January 21, 2015
7:00 p.m. Education Building, Rm 106.1
University of Regina, 3737 Wascana Parkway, Regina, SK
There is a growing conversation about reconciliation in Canada and addressing contemporary inequalities and injustices facing First Nations children is a vital part of the conversation. Dr. Cindy Blackstock will examine how children and young people are working with First Nations to achieve equity and to uplift the country at the same time.
Refreshments follow the lecture. All are welcome.
For more information: http://www.uregina.ca/arts/public-lectures/lloyd-lecture.html
The Witness Blanket installation is now at the University of Regina campus (January and February). Instructors are invited to include topics of residential schooling in this winter’s courses. Please bring your students to view the display on the main floor of the RIC Atrium (between College West and the Laboratory Building). For additional information, view information below.
The Witness Blanket is recognized as a national monument that highlights the atrocities of the Indian residential school era. The installation honours the children’s’ lives and their legacies that were lost and untold within history. This profound installation has 887 pieces of artifacts that have been reclaimed from various abandoned residential schools, government buildings, churches, band offices, treatment centres, universities and ceremonial objects from across Canada. The artist, Carey Newman, states, “To bear witness is to show by your existence that something is true”. As a witness, you have the opportunity to become a part of the untold stories and to take part in reshaping the history of the Residential School Era.
The Witness Blanket will be showcased at the University of Regina in the months of January and February 2015. The installation is unsupervised and stands alone on the first floor of the Research and Innovation Centre (RIC). For further information about the project and artist, please see the following links below:
- Witness Blanket website: https:// www.witnessblanket.ca
- Witness Blanket video: https://www.indiegogo.com/projects/the-witness-blanket
- Artist Carey Newman interview: http://www.rcinet.ca/en/2014/10/06/witness-blanket-recalls-tragic-chapter-of-canadian-indigenous-history/
To create a foundation of knowledge for the residential school era, a suggested resource is the movie “We Were Children,” which gives first-hand account of personal experiences survivors endured while attending residential schools. Another resource is an episode of 8Th Fire called “Sacred Heart Residential School,” depicting the personal impacts of the disconnection children experienced from their communities and the hardships faced while in residential school. To view these videos and for further information, please see the following websites:
- We Were Children: https://www.nfb.ca/film/we_were_children
- 8Th Fire- Sacred Heart Residential School: http://www.cbc.ca/8thfire/2011/12/painful-legacy.html
To further the opportunity for learning and discussion about the experiences of the residential school era, I invite you to have an open discussion about student perceptions and reactions to the installation. Here are some questions for debriefing:
- What knowledge did you have prior to viewing the Witness Blanket?
- What did you learn from the installation?
- What resonated with you the most?
- How do you plan on facilitating the conversation about residential schools and the experiences of the children that attended?
The UBC Faculty of Education is delivering a Massive Open Online Course (MOOC), a free 6-week course title “Reconciliation Through Indigenous Education” beginning January 27, 2015.
Please use this link to access the webpage:
For further details, please watch the related YouTube video:
The University of Regina Aboriginal Advisory Circle will be hosting the Witness Blanket exhibit January 5 – February 27, 2015
This large scale art installation is inspired by a woven blanket made from hundreds of reclaimed items from Residential Schools, churches, government buildings and traditional and cultural structures including Friendship Centres, band offices, treatment centres and universities, from across Canada. The Witness Blanket stands as a national monument to recognise the atrocities of the Indian Residential School era, honour the children, and symbolise ongoing reconciliation.
For more information see Witness Blanket page
Gabriel Dumont Institute visual arts instructor Christina Johns of the Saskatchewan Urban Native Teacher Education Program (SUNTEP) had her pre-service teachers complete the tile decoration component of the POH module during the fall term of 2008.
The SUNTEP students brought extremely compelling imagery to the exercise which commemorated the students who died at the Lebret Indian Residential School at Qu’Appelle, Saskatchewan. Click on the adjacent photo to see more examples of her class’s work.
Russell Fayant of the SUNTEP program and Christina herself have also responded through verse to the ongoing colonial project of cultural extinction, as experienced by their Métis community. Christina’s poem can be read here and Russell’s here.
Project of Heart Brings Hope, Humility, and Healing to SUNTEP
By Christina Johns, 2012
Armed with Sharpie markers, small wooden tiles, a legacy to honour, and the “heart” to make a difference, SUNTEP Regina students went to work to preserve and reclaim the memory of the many Métis and First Nations children who attended and lost their lives in residential schools. All SUNTEP students participated in the artistic social justice project entitled Project of Heart over the past 2 semesters.
Project Coordinator Sylvia Smith, a high school teacher from Ottawa, describes Project of Heart (P.O.H.) as a “hands-on, collaborative, inter-generational, inter-institutional artistic endeavour. Its purpose is to commemorate the lives of the thousands of Indigenous children who died as a result of the residential school experience.” After learning about the truths of Indian residential schools in Social Studies class, Sylvia Smith’s students wanted to do more to bring greater public awareness to the large number of deaths that had occurred in residential schools across Canada. Along with their teacher’s help, they developed a social justice project that is now growing in recognition and has recently been awarded the Govenor General’s Award for Excellence in Teaching.
A key objective of P.O.H. is to encourage “ownership” of this historic injustice by the non-Indigenous community. By doing so, non-Aboriginal Canadians can then be moved to take responsibility for the continued oppression of Indigenous people in Canada, and be inspired to take action. Smith also explains that the project “commemorates the families and communities to whom those children belonged. It is designed to bring awareness both to the settler community of predominantly European Canadians and communities of new Canadians from other parts of the world.” Many students of all ages, all across Canada have been involved in the project, by decorating tiles, doing research, visiting with Elders and becoming more aware of the effects of residential schools on generations of Indigenous people.
Project of Heart also seeks to expand the opportunities available for the wisdom of Aboriginal Elders to be heard within mainstream, educational/religious institutions. By joining with other groups who are making a space for Indigenous knowledge, institutions can help to change attitudes and behaviours—hearts and minds—as Elders give voice to the traditions that were suppressed by residential schooling.
During their involvement in this unique social justice project, SUNTEP students shared stories of people and relatives they knew who attended the residential school. Some were stories of pain, some were stories of relationships that developed while in residential school and some were humorous anecdotes passed down from grandparents and great-grandparents. Through the sharing of stories, we gathered together as students, teachers, artists, and activists to remember the forgotten and piece together this influential, yet poignant part of Canadian history. Being able to talk about the residential school experience has been painful to some students, but in some ways it started a healing process aided by research, the sharing of the experience with family members, the smudging of the tiles and visits with an Elder/residential school survivor.
On this journey for understanding through heart and spirit, SUNTEP students decorated 10-12 tiles each (400 in total), with imagery, words and symbols created in memoriam to the Aboriginal culture, language, and self-esteem stripped away by assimilation and racism embodied at residential schools. Through their art, SUNTEP commemorated Ile-a-la-Crosse, a Northern Saskatchewan community with a high Métis population. As evidence of the project’s lasting impact, as the social justice activism component of the project, SUNTEP students have developed lesson and unit plans to use in their field placements so Project of Heart will continue to be shared and honoured.
The project’s goal is to have 50,000 decorated tiles, each one representing a life lost in the many residential schools across Canada. Although the future and final resting place of the tiles is still uncertain, there is a possibility of an installation of the tiles as a part of the new Canadian Museum for Human Rights in Winnipeg. This is only a small gesture of reconciliation for the past and continued
oppression of Aboriginal people in Canada.
Art has the power to bring together people from all ages and all walks of life. It can bring about awareness and understanding, promote critical thinking and can also work towards healing. Drawing on tiles will, of course, never erase the horrors of residential schools or reverse the damage done to families and communities, but it can bring about hope; hope that we can someday eradicate the perils of hatred, racism, and ethnocentrism. Sylvia and her students had the vision to bridge the emotional and spiritual power of art to bring about healing to communities who are still in crisis despite governmental “apologies.” This art project is a demonstration of the resiliency of Aboriginal people and their resistance to the cultural collision between Canada’s Aboriginal peoples and European colonizers. We are still valiantly fighting to reverse the devastating impact that years of oppression has had on Canada’s Aboriginal cultures and traditions. We hope that the inter-generational damage will not be forgotten but used as a reminder that this cultural genocide must never happen again!
You can check out the SUNTEP Regina’s tiles and more about the program at http://projectofheart.ca.
Article from Moose Jaw Express, July 18, 2013
Moose Jaw has been privileged in a special way. In a partnership between Prairie South School Division and the MJ Museum and Art Gallery, Moose Jaw was one of the first places in the country to host the exhibit “100 Years of Loss”, an exposition of the history and legacy of the Indian Residential Schools in Canada. Most recently, Moose Jaw was one of four cities in Canada chosen to coordinate Project of Heart, a second venture related to residential schools. The other locations were Vancouver, Winnipeg and Ottawa. In Saskatchewan, Project of Heart is about tiles and a drum. A First Nations drum was built by Jeff Cappo from the Lone Creek Drum Group. In the first phase of the project, students throughout the province were invited to decorate tiles to place on this drum. The tiles commemorate the children who died in the residential system. The tiled drum was unveiled at a Powwow in Moose Jaw on June 5th. Indian Residential Schools operated across the country from 1890 to 1996.
In 1920, the “Indian Act” made it mandatory for aboriginal parents to send their children to these institutions, and in 1931 enrollment was at its peak. Over the “100 Years of Loss”, approximately 85,000 children died in the system. Saskatchewan students have decorated 2000 commemorative tiles. Project of Heart was a national venture with local ramifications. Isabelle Hanson is president of the Wakamow Aboriginal Community Association and Vivian Gauvin is the vice-president. They were appointed to the Saskatchewan Regional Advisory Committee for the project. Gauvin is also First Nations, Métis and Inuit Consultant for the Prairie South School Division. Hanson and Gauvin coordinated the effort to collect the tiles from all over the province for placement on the drum. The wrap up for the project was at the end of June. Throughout this last year, Heather Miller taught a Native Studies Course at A. E. Peacock Collegiate. She had 26 students, and included in their program was intentional research on Indian Residential Schools. At the end of this course, four students were selected to make presentations before the Indian Residential Schools Adjudication Secretariat in Regina. The Secretariat adjudicates cases of physical and sexual abuse within the residential system. Seven people made the trek to Regina: Isabelle Hanson and her daughter Leslie, Vivian Gauvin and the four students selected from the class at Peacock – Alia Baigent, McKayla MacQuarrie, Desire Meriam and Seth Schmaltz. Isabelle has a Master’s in Educational Psychology, and she is also a residential school survivor. She talked about how strict it was at the school she attended. “We all had a number and it was put on our clothing. We had to do things perfectly; we had to sleep a certain way; we were not allowed to be children. We were punished severely if we spoke Cree or practiced any of our customs. I had to go to church twice on weekdays and three times on Sunday. We were really Christianized. Even though I had boy cousins at the school, I wasn’t allowed to see them or speak to them.” Leslie, Isabelle’s daughter, talked about her desire to teach others about her culture, and to this end, she has just been accepted into the Saskatchewan Native Teachers Education Program at the Gabriel Dumont Institute. The fours students from Peacock said they were shocked when they learned about the cruelties of the residential system. They were ashamed that a country like Canada created and perpetuated this injustice. McKayla MacQuarrie said, “It is not a question of who is responsible for the past. It is about our responsibility for what happens next.” Alia Baigent always attended the same schools as her twin brother. She said, “I can’t imagine never being allowed to speak to him.” Two internet You Tubes were included in the Moose Jaw presentations. “Shannen’s Dream” has to do with the quality and equality of education on reserves, and this is the social justice piece of Project of Heart. The Wab Kinew Soap Box debunks aboriginal caricatures. Members of the Secretariat were moved by what they heard. Brad Kennedy, Hearings Manager Officer said, “I really appreciated the perspective of these young people.” Julia Rex said, “I can see the immportance of remembering and spreading the word.” Lorraine Lemiski is Manager of Adminsitration for the Secretariat, and she helped coordinate the Regina event. She commented on the experience. “What we have heard here reminds us of the importance of what we do.”